3-mob.com Presser
It
was two cities, two concerts and 27 artists.
Bulawayo
and Harare sat at the venerable table to feast on a delicately curated festival
of music.
The
concerts took place against the background of limited live stage access for
artists due to the pandemic and other factors. It also joins the ongoing debate
over the relevance of art in conversations around the local community and
national development.
Before
the event, Citizens' Manifesto Convenor Briggs Mambo said, " We believe
that when we let art speak, we not only hear those often silenced voices, we
create a movement that taps into the deeper wells of our inspiration and brings
out our best selves."
In
Harare, on a sunny Friday 3 December 2021, the treat was at Sherwood Community
Hub, Mabelreign.
With
Shabach the Band, as the house band of the day, the event was MC'ed by StarFM's
Mox and TrustAfrica's very capable Michar.
Intwasa
Award-winning poet Prycinth opened proceedings, exuding power in a socially
conscious projection of issues, tackling issues such as child marriage.
Next
was Chengeto Brown, who regaled the crowd with songs from her catalogue
including, Pedza Neni and 4 am.
Rapper
TShoc's performance was high energy, the mic stand grabbed and tossed around
like it was in the hands of Kurt Cobain.
Bulawayo-based
award-winning rapper Asaph delivered his slew of patriotic hits and was a joy
to behold.
Hope
Masike with her band was, as usual, accomplished, brilliant, and an example of
the standard at which live music should operate. Her backing vocalists Florence
Muteta, and Ndomupeishe Chipendo were impressive playing wind instruments.
Enzo
Ishall turned up a party that was already loud. The highlight was when three people
got onto the stage and danced to Kanjiva.
The
night rounded off with Dadza D, who treats the stage as his fiefdom. He stomped
all over it, releasing songs like gunshots, so much that Spirit Fingers on the
keyboard took off his shirt.
All
in all, it was a day in which fed was mind and soul. The body too, for the
artists as well as special guests.
Said
Prycinth," Art is important because not everyone is can be a governor, and
not everyone is gonna be in an office but art can help in the development and
should be allowed to."
The
gauntlet was thrown down for Bulawayo.
At
the National Gallery of Zimbabwe in Bulawayo on 5 December 2021, it was
returned, even with sprinklings of rain and sunshine.
The
importance of it also being held in his city was not lost on Asaph, who said
"The fact that the event is also in Bulawayo is important is because there
are a lot of artists in Bulawayo. There are a lot of artists who are ready to
speak to change. If we keep it centralised, we might not hear all there is to
hear."
The
event was MC'ed by Michar and award-winning funnyman Clive Chigubhu, who shared
some of his comedy classics before calling the acclaimed and award-winning poet
Lady Tshawe.
In
her poetry, our ribs undulated, her disarming verses masterfully delivered with
the dexterity of a nimble-footed pigeon.
Novuyo
Seagirl kicked off her set with some reggae. She did delve into her more
familiar house music, enjoyed obviously, but there is something to explore with
the reggae.
Msiz'kay
left a hoard of fans, particularly the women spellbound, either hanging onto
his every word or singing along.
Oxzy's
lyrics were pregnant with consciousness, and his performance was surprising
well-put-together.
Indigo
Saint came on as a skilled artist, an avid interpreter, who treated the crowd
like parishioners for an anticipated sermon.
Noluntu
J rapped, sang and in her regal traditional outfit, was quite simply fantastic.
Noluntu J brought her tribe emblazoned on her skin, and art spoke.
Rapper
Luminous delivered fire on top fire, a popstar, born as if for the stage to do
his bidding, tromping all over it with purpose.
After
that, Asaph rocked his home ground.
Dancehall
star Ma9ine continued the groove, the crowd getting down appropriately.
Ishan,
from Harare, was soulful, delicate for the most, serenading the audience even
when his music was not about love.
KNG
BL delivered a barnstorming performance after which Fab_G, fresh from his
Bulawayo Arts Awards win, curated a solid set. The keen were engaged. Those who
did not know before were informed.
Ryan
Synth delivered a huge dose of amapiano for the crowd, some of them dancing on
tables, chairs and benches.
Before
Djembe Monks shut it down, DJ Da Kudu did come on and sample tracks from his
new album AfroJams Labangane.
And
when the Djembe Monks set it off, it was, as the colloquial assembly would call
it, 'fire'.
Luminous summarised the importance of art in national development, saying, "The power of music is to create a conversation without the violence."
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